EGYPT. Egypt currently has a dozen new museums under construction, and not enough masterpieces of ancient art to fill them, the Secretary General of the Egypt's Supreme Council of Antiquities, Zahi Hawass, said in a recent interview.

"People used to say that Egypt does not have good museums. We have better museums now than they have," Hawass, who is in New York this week to promote the Discovery Channel documentary 'Secrets of Egypt's Lost Queen' about the possible identification of the mummy of Hatshepsut, said. But "we don't have enough objects," Hawass said.

An archaeologist, Hawass has made it his mission since he took office to draw international attention to Egypt's antiquities and to recover those that may have been smuggled abroad. His leadership has been marked by strict - though, some might argue, occasionally arbitrary - standards.The identification of the mummy now believed to be Hatshepsut could not have been made until recently, for instance, because Hawass did not allow genetic testing on mummies. As part of his argument for this mummy's being Hatshepsut, he has said that genetic evidence ties it to that of the royal matriarch Ahmose Nefertari.

Hawass changed his position on genetic testing after the Discovery Channel offered to fund an Egyptian-run lab in the basement of the Egyptian Museum in Cairo. He said he had previously considered the risk of contamination and error in a lab outside of Egypt too great. "In a modern DNA lab, you can have 40% mistakes," he said. "If a Japanese scientist will examine a mummy of one of the pharaohs in a modern lab, it is possible the result will be that the origin of the mummy is Japanese!"

Unsurprisingly he has also insisted that Egypt be paid handsomely for touring exhibitions, such as 'Tutankhamun and the Golden Age of the Pharaohs', which is currently at the Franklin Institute Science Museum in Philadelphia, and has been to the Los Angeles County Museum of Art, the Fort Lauderdale Museum of Art, and the Field Museum in Chicago. Egypt reportedly charged each venue a flat fee of as much as US$5 million, in addition to taking a substantial percentage of the ticket and souvenir sales. "There is no more free meal," Hawass said. He added that Egypt has so far raised US$40 million from the exhibit, an amount that will go toward the construction of the new museums.

Hawass also predicted that the Tutankhamun exhibit would come to New York - either to the Metropolitan Museum of Art or the Brooklyn Museum - after it returns from London next year. The Met had originally declined to be part of the tour because of its policy of not charging for individual exhibitions; it is unclear why the museum would reconsider now.

In recent months, Hawass has asked museums around the world to loan their Egyptian masterpieces to Egypt for the openings of two new museums, the Atum Museum in 2010 and the Grand Museum of Egypt in 2012. He is requesting the Rosetta Stone from the British Museum; the bust of Nefertiti from the Egyptian Museum in Berlin; the bust of Ankhhaf from the Museum of Fine Arts, Boston; the Dendera Temple zodiac from the Louvre, and the statue of the pyramid architect Hemiunu from the Roemer andPelizaeus Museum in Hildesheim, Germany.

So far the requests have met with, at best, mixed results. Hawass said he received a letter last week from the Egyptian Museum in Berlin, agreeing to organise a joint German-Egyptian committee to determine if it is safe for the bust of Nefertiti to travel to Egypt.

A spokeswoman for the MFA in Boston confirmed that the museum did receive a letter asking for a loan of the bust of Ankhhaf, but that, due to its fragility, it can't travel. "It has a specially sealed case, and we don't even move it up to conservation lab because of the fear of damage to the surface," the spokeswoman, Dawn Griffin, said. "We are obviously open to loaning objects to the [Egyptian] museum, but that particular object can't be loaned."

Hawass is also intent on making antiquities trafficking a serious crime in Egypt. Currently, it only brings a five-year sentence, but a law before the parliament would increase that to 25 years. The law would also, Hawass said, make it illegal for foreign museums to make full-size replicas of Egyptian antiquities without obtaining Egypt's permission.

Egypt has recovered several stolen antiquities from America while Hawass has been in office. Last Summer, with the help of American authorities, Egypt recovered a 4,000-year-old alabaster vessel that was to be auctioned at Christie's in New York. Hawass said that the vessel arrived in Egypt last week.

Hawass is as well-known for his flamboyant language as for his fierceness in defending Egypt's cultural property. Export of antiquities from Egypt stopped completely in 1983, when a law made them the property of the government. Asked whether Egyptian warehouses are now crowded with redundant objects - and whether the law should be modified to allow export of second-rate items - Hawass said no. "You can't sell your heritage," he said. "It's like a lady selling herself for money."

RELATED ARTICLES

Ancient monuments and new real estate figure in Egypt's upmarket tourism plan

Applied Biosystems helps build Egypt’s first laboratory for ancient DNA analysis

MIDDLE EAST BUSINESS COMMENT & ANALYSIS

• Top news
• Business News
• Company News